Napalm (Can’t Beat That Feeling)
From $40.00
Size Guide & Scale Visual

FAQ
What print options do you offer?
Are your canvas prints made in Australia?
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How long does delivery take?
Delivery times depending on your location in Australia. Our normal turnaround for delivery (from placing the order to receiving the artwork) - is within 8 days. priority service speeds this up. We print in Noosa and Perth, giving us coverage on both the east and west coasts. Check this page for more accurate time frames for all locations.
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Is the artwork ready to hang?
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Will I receive a proof for personalised art, and can I make changes
Why buy from Canvas Prints Australia?
What many customers appreciate most is that we are a real business you can actually speak to. If you have questions about sizing, framing, artwork choices, or what might work best in your space, please contact us directly and speak with our team rather than relying on an anonymous marketplace. We also have offices where you can get real support, which gives you confidence when ordering something important for your home. That combination of Australian production, premium materials, and real human service is why many people return to us when they want wall art done properly.
- All Australian orders for Art are Handmade in Noosa or Perth, Australia (*International orders are printed overseas)
- We use 100% Cotton, textured canvas NOT the cheaper plastic looking, Poly-Cotton
- Free image manipulation such as removing red-eye, straightening horizons and lightening the image if needed
- Art is delivered ready to hang on the wall, straight to your door
- Carefully bubble wrapped and boxed to prevent damage in transit
- Every canvas print is stretched by hand on a thick, 1.5” quality kiln-dried pine wood stretcher frame
- Protected with invisible spray UV laminate against fading in the harsh Australian climate, our art shouldn’t fade for up to 70 years!
The Canvas Prints Australia Difference
What our Customers Say
Napalm (Can’t Beat That Feeling)
Banksy’s “Napalm (Can’t Beat That Feeling)” is a deeply unsettling piece that recontextualises a famous photograph from the Vietnam War. In the original photo, a young girl runs, naked and terrified, after a napalm attack. Banksy adds the characters of Ronald McDonald and Mickey Mouse, leading the girl by the hand, creating a jarring juxtaposition between the brutality of war and the symbols of American consumerism. This piece is a scathing critique of the way Western culture, especially corporate America, can overshadow and distract from the harsh realities of suffering and conflict.
The title, “Can’t Beat That Feeling,” is taken from a McDonald’s slogan, further emphasising the irony and critique within the artwork. By placing these beloved commercial figures alongside the victim of such a horrifying event, Banksy comments on how corporate influence often whitewashes or trivialises real issues. The contrast is both absurd and chilling, forcing viewers to confront the way war and suffering are often downplayed in favour of consumer culture.
This piece highlights Banksy’s ability to use recognisable symbols to create a strong emotional response. Ronald McDonald and Mickey Mouse, often seen as symbols of childhood joy and innocence, are rendered grotesque in this context, leading the viewer to question their association with a violent historical moment. The work forces a dialogue about the role of corporations in modern society and their pervasive influence.
“Napalm” remains one of Banksy’s most confrontational works, with its stark commentary on war, corporate culture, and the power of imagery. It challenges the viewer to consider the hidden costs of a society driven by consumption, where entertainment and fast food can distract from global atrocities.











