Homage to Francis Bacon (Study of Isabel Rawsthorne)
From $15.00
Size Guide & Scale Visual

FAQ
What print options do you offer?
Are your canvas prints made in Australia?
What quality are the prints?
Will the colours look exactly like the screen?
How long does delivery take?
Delivery times depending on your location in Australia. Our normal turnaround for delivery (from placing the order to receiving the artwork) - is within 8 days. priority service speeds this up. We print in Noosa and Perth, giving us coverage on both the east and west coasts. Check this page for more accurate time frames for all locations.
What if I need help choosing the right size?
What printer and inks do you use?
Is the artwork ready to hang?
What happens if my print arrives damaged?
Do you offer custom sizes for your prints?
Am I able to come to your office to collect the artwork directly to save time and shipping
Will I receive a proof for personalised art, and can I make changes
Why buy from Canvas Prints Australia?
What many customers appreciate most is that we are a real business you can actually speak to. If you have questions about sizing, framing, artwork choices, or what might work best in your space, please contact us directly and speak with our team rather than relying on an anonymous marketplace. We also have offices where you can get real support, which gives you confidence when ordering something important for your home. That combination of Australian production, premium materials, and real human service is why many people return to us when they want wall art done properly.
- All Australian orders for Art are Handmade in Noosa or Perth, Australia (*International orders are printed overseas)
- We use 100% Cotton, textured canvas NOT the cheaper plastic looking, Poly-Cotton
- Free image manipulation such as removing red-eye, straightening horizons and lightening the image if needed
- Art is delivered ready to hang on the wall, straight to your door
- Carefully bubble wrapped and boxed to prevent damage in transit
- Every canvas print is stretched by hand on a thick, 1.5” quality kiln-dried pine wood stretcher frame
- Protected with invisible spray UV laminate against fading in the harsh Australian climate, our art shouldn’t fade for up to 70 years!
The Canvas Prints Australia Difference
What our Customers Say
Takashi Murakami’s Homage to Francis Bacon (Study of Isabel Rawsthorne) is a distinctive piece that demonstrates Murakami’s signature fusion of contemporary pop culture with classic art references. The piece reflects his deep admiration for Francis Bacon, particularly his portrait of the British painter Isabel Rawsthorne. Murakami takes the essence of Bacon’s emotionally charged and expressionistic portraits and infuses them with his own unique aesthetic, characterized by bold, flat colours and iconic, cartoon-like features. The painting serves as both a tribute and a reimagining of Bacon’s work, offering a fresh perspective while maintaining a connection to the original.
In the artwork, Murakami takes the form of Rawsthorne’s face and distorts it in a way that blends the grotesque with the playful. The eyes, often a significant feature in Bacon’s works, are exaggerated and emotive, almost cartoonish in their intensity. The palette is bright and vivid, a departure from Bacon’s darker, more muted tones. Murakami’s use of his signature “superflat” style—sharp outlines and flat planes of colour—brings an added layer of modernity to the piece, transforming a somber portrait into a vibrant, contemporary interpretation. The choice to reinterpret such a profound and somber subject through Murakami’s lighthearted lens creates a striking contrast.
This piece also exemplifies Murakami’s interest in blending Eastern and Western artistic traditions. While his visual language is rooted in traditional Japanese art forms, particularly in the use of bright colours and cartoon motifs, his exploration of Western artists like Bacon demonstrates his ability to bridge cultural divides. The incorporation of Bacon’s raw emotionalism and Murakami’s playful, exaggerated approach shows how contemporary artists like Murakami can reinterpret and recontextualise past art movements, making them relevant to modern audiences while paying homage to their origins.
Finally, Homage to Francis Bacon (Study of Isabel Rawsthorne) challenges the viewer to reconsider how we perceive portraits and the complex emotions they often convey. By merging the unsettling aspects of Bacon’s work with Murakami’s cheerful, almost childlike aesthetic, the piece creates a dynamic dialogue between two very different artistic worlds. It not only honours a great master like Bacon but also invites a new interpretation of his work, making it accessible and engaging for contemporary viewers.












