Time Bokan (Pink) Takashi Murakami
From $15.00
Size Guide & Scale Visual
FAQ
What print options do you offer?
Are your canvas prints made in Australia?
What quality are the prints?
Will the colours look exactly like the screen?
How long does delivery take?
Delivery times depending on your location in Australia. Our normal turnaround for delivery (from placing the order to receiving the artwork) - is within 8 days. priority service speeds this up. We print in Noosa and Perth, giving us coverage on both the east and west coasts. Check this page for more accurate time frames for all locations.
What if I need help choosing the right size?
What printer and inks do you use?
Is the artwork ready to hang?
What happens if my print arrives damaged?
Do you offer custom sizes for your prints?
Am I able to come to your office to collect the artwork directly to save time and shipping
Will I receive a proof for personalised art, and can I make changes
Why buy from Canvas Prints Australia?
What many customers appreciate most is that we are a real business you can actually speak to. If you have questions about sizing, framing, artwork choices, or what might work best in your space, please contact us directly and speak with our team rather than relying on an anonymous marketplace. We also have offices where you can get real support, which gives you confidence when ordering something important for your home. That combination of Australian production, premium materials, and real human service is why many people return to us when they want wall art done properly.
- All Australian orders for Art are Handmade in Noosa or Perth, Australia (*International orders are printed overseas)
- We use 100% Cotton, textured canvas NOT the cheaper plastic looking, Poly-Cotton
- Free image manipulation such as removing red-eye, straightening horizons and lightening the image if needed
- Art is delivered ready to hang on the wall, straight to your door
- Carefully bubble wrapped and boxed to prevent damage in transit
- Every canvas print is stretched by hand on a thick, 1.5” quality kiln-dried pine wood stretcher frame
- Protected with invisible spray UV laminate against fading in the harsh Australian climate, our art shouldn’t fade for up to 70 years!
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Takashi Murakami’s Time Bokan is a striking example of his distinctive approach to art, blending elements of traditional Japanese art with contemporary themes. Created in 2011, this work stands as part of his larger body of work that often explores the intersection between high art and popular culture. Murakami’s signature use of vibrant, bold colours and cartoonish, playful motifs can be seen throughout the piece, creating a sense of joy and whimsy that contrasts with the often dark and complex undertones of the subjects he explores. The artwork encapsulates Murakami’s skill in combining fine art techniques with an accessible, commercial aesthetic, challenging the boundaries between art and consumerism.
The name Time Bokan itself draws inspiration from Japanese pop culture. “Bokan” refers to a specific type of animation series that was prevalent in Japan during the late 20th century, often associated with humorous and adventurous plots. Murakami’s title is a nod to this nostalgic concept, yet the work carries a deeper philosophical weight. The bright, smiley flowers and familiar figures evoke childhood innocence and optimism, but when examined more closely, there’s a layer of surrealism and a subtle commentary on the transient nature of time and the fleeting aspects of happiness. The dynamic composition of the piece adds to this sense of movement, almost as if the viewer is witnessing a snapshot of a chaotic but joyful moment in time.
Murakami’s Time Bokan also carries a strong connection to the artist’s overarching theme of “Superflat,” a style he pioneered that collapses the distinction between two-dimensional and three-dimensional spaces. The work features his trademark motifs of oversized, expressive faces, particularly his playful flowers and anthropomorphic characters. These are set against flat, unmodulated backgrounds, creating an illusion of depth and perspective despite the lack of traditional depth in the painting itself. This technique is emblematic of Murakami’s ability to manipulate space and form, producing an art piece that is visually engaging while provoking thought about the way we perceive reality and time.
Another interesting aspect of Time Bokan is Murakami’s continuous exploration of consumerism and mass production. The bright, commercial aesthetic of the artwork is not just visually appealing but also serves as a critique of the pervasive influence of mass media and commercial culture. Murakami often blurs the line between fine art and mass production, with pieces like Time Bokan sitting comfortably within both spheres. His use of popular icons, such as the smiling flowers, reflects the ubiquity of these images in both high and low culture. In doing so, Murakami invites viewers to reflect on how the visual language of consumer culture can shape our perceptions of beauty, joy, and even the passage of time.
