Damien Hirst, the enfant terrible of the British art scene, has always known how to court controversy. No piece exemplifies this better than his 2007 work, ‘For the Love of God’, a platinum cast of a human skull encrusted with 8,601 diamonds. This glittering testament to mortality and opulence has sparked many debates, not only… Continue reading For the Love of God: An Analysis of Hirst’s Diamond Skull